She had not told him of the Phillips episode. But she felt instinctively that he knew. It was always a little mysterious to her, his perception in matters pertaining to herself. Of course it was unreasonable. The sign-post may remain embedded in weeds: it notwithstanding points the way to the fair city. She told herself this, but it left her still short-tempered. She didn’t care which way it pointed. She didn’t believe there was any fair city.!

But the sinner, confessing his fault, is entitled to forgiveness, and, having put him back into his proper place, she let him kiss her hand. She even went further and let him ask her out to dinner. As the result of her failure to reform Mrs. Phillips she was feeling dissatisfied with herself. It was an unpleasant sensation and somewhat new to her experience. An evening spent in Arthur’s company might do her good. The experiment proved successful. He really was quite a dear boy. Eyeing him thoughtfully through the smoke of her cigarette, it occurred to her how like he was to Guido’s painting of St. Sebastian; those soft, dreamy eyes and that beautiful, almost feminine, face! There always had been a suspicion of the saint about him even as a boy: nothing one could lay hold of: just that odd suggestion of a shadow intervening between him and the world. It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.

Joan was pouring out the tea. “Oh, nothing,” she answered, “but just be agreeable to the right people. He’ll tell you who they are. And take care of him.” “Remember me to him,” he said. “And tell him I thank him for all those years of love and gentleness. I don’t think he will be offended.” Suddenly its ticking ceased. It had become again a piece of lifeless mechanism. The hands pointed to six minutes past. Joan took off her hat and laid it aside.